Tanglewood Lectures at Rawlings Conservatory

Posted November 10th, 2014 by Bonnie Hall and filed in Events, Greenhouses, Insights, Travels
Comments Off on Tanglewood Lectures at Rawlings Conservatory

A lecture on historic conservatories in an historic conservatory – much like peanut butter and chocolate – the perfect combination and very soul-satisfying.  Alan Stein, founder of Tanglewood Conservatories presented an intriguing look back at the great conservatories of the 19th century and the enduring impact they have had on history, architecture and humanity.

Alan stated at the end of the lecture, ‘In looking back at the designers and builders of the great conservatories of the 19th century; at the amazing buildings they produced and the impact they had on culture, society and industry of the time, we can’t help but be inspired by their passion, ingenuity and creativity.  Few legacies from the past have so much relevance for today’.


Looking Back Shows Us the Future

From the first crude orangeries in the mid-to-late 1600’s that had to be assembled each winter and taken down for spring to the nearly transparent glass houses such as Rawlings, to the modern minimalist movement, conservatories have experienced a marvelous evolution while still inspiring current construction of classic Victorian structures.

Depiction of Orangery from 1600's
Depiction of Orangery from 1600’s

Transparent feel of Rawlings Conservatory

Transparent feel of Rawlings Conservatory

Modern minimalist designed by Philip Johnson

Modern minimalist designed by Philip Johnson


Abundant Benefits

Nature is sometimes difficult to access in large sprawling cities such as Baltimore with blocks and blocks of row houses and office buildings.   Rawlings provides a quiet sanctuary, an oasis in which to connect with the outdoors and discover nature not just of our local region but virtually anywhere.  Public conservatories provide a venue so that we can learn about the natural world – both familiar and strange – local and exotic – and even more exciting, they allow all of us to become explorers just as Bomplad, Poeppig and Schomburgh, who searched the banks of the Amazon in their quest to bring back the giant Amazonian water lily for Queen Victoria in the 1800’s.

Bananas, coffee beans and papayas all grow at Rawlings Conservatory


Kate Blom, Rawlings Conservatory Supervisor states, ‘Kids go through the rainforest house and see bananas on real trees! – and they get it… where bananas come from instead of the supermarket shelf.’  It is at this point that you can have conversations with them about being stewards of our planet and of the environment.

Many may wonder why the conservatories and their preservation so important?  Once again, Kate’s insight is spot on –  ‘You can’t tell the story without the tactile experience of touching the bananas, the papayas and the coffee beans growing right there on the bushes!… and you can’t do that without a conservatory!’

Botanic gardens host a variety of beneficial programs – from lecture series on great conservatories, cultivating unusual plant species to exposing inner city children to the basics of gardening along with an emphasis on the arts such as sketching and photography classes.  Even the most amateur photographers armed with only a camera phone can take some pretty spectacular photos of the lush environment.  The photos below were snapped by Tanglewood team members prior to setting up for the lecture.

2014-11-05 16 23 51 (2)



The conservatory and its impact on us has withstood the test of time.  No matter the venue – private or public – historic or modern – the unique ability to allow us to connect with the outdoors while completely indoors, all while bestowing the magical luminescence of natural light throughout a glass-ensconced room.   The benefits are undeniable and their preservation for future generations must be a priority.  Alan’s remark in the lecture bears repeating lest we forget – ‘Few legacies from the past have provided as much value and relevance for today as have these eloquent glass houses.  The architects and builders from the 19th century have inspired us with their passion, ingenuity and creativity.’  It is up to all of us now to ensure we pass that same wonderment on to our children and their children.


Tanglewood Conservatories Presents: A Lecture at The Rawlings Conservatory: Great Conservatories of the 19th Century

Posted October 17th, 2014 by Bonnie Hall and filed in Uncategorized
Comments Off on Tanglewood Conservatories Presents: A Lecture at The Rawlings Conservatory: Great Conservatories of the 19th Century


Join Alan Stein of Tanglewood Conservatories on November 5 for an informative lecture accompanied by a beautiful slide show about the history of conservatories.

Lecture is $20, from 6 – 8 p.m., at the Rawlings Conservatory in Baltimore’s historic Druid Hill Park. Snacks and wine will be served at 5:30, courtesy of Tanglewood Conservatories.

Revisit spaces that are gone but not forgotten, lost to the ravages of time and budget cuts, some in Baltimore City Parks. Learn about enduring gems worldwide.

All proceeds benefit the Rawlings Conservatory & Botanical Gardens.

More info and ticket sales here:http://www.rawlingsconservatory.org/conservatory-lecture/

New York lecture on Beaux-Arts classical architecture.

Posted October 13th, 2008 by Alan Stein and filed in General
Comments Off on New York lecture on Beaux-Arts classical architecture.

Another great opportunity presented by the Institute of Classical Architecture and Classical America is a lecture on author John F. Harbeson by John Blatteau and Sandra L. Tatman.

The famous Beax-Arts system of architectural education developed and used in France is the subject of Harbeson’s classic book The Study of Architectural Design. “Until the 1940s, when supplanted by the advent of modernism, this method educated and trained every architect in America.”

Blatteau and Tatman wrote an introduction for its new re-print which is now available from W.W. Norton.

The lecture will be held Friday October 17th, at the General Society, 20 West 44th Street in New York at 7:00 pm. A reception and book signing will be held at 6:30.

Tanglewood Conservatories strongly supports the work of the ICA&CA.


McKim Lecture at the ICA on March 12th

Posted February 29th, 2008 by Alan Stein and filed in General
Comments Off on McKim Lecture at the ICA on March 12th

On Wednesday, March 12th, The Institute of Classical Architecture & Classical America will present their seventh annual McKim Lecture in New York City.

The theme of this years lecture will be New York’s Pennsylvania Stations and will include a review of current developments over the future of a new Pennsylvania Station in the General Post Office building nearby.

Dr. Hillary Ballon, distinguished historian, scholar and author will present the lecture. She has been called “one of the most important architectural historians in America today”.

“Her scholarship has focused on cities and the intersection of architecture, political and social life in Twentieth century America and seventeenth century Europe”.

The wonderful steel and glass “conservatory-like” Pennsylvania station is an inspiration to all of us interested in the great classical designs of the past.

The Institute of Classical Architecture can be contacted at 212 730 9646.

Take a Journey to a Historic Botanical Gem

Posted June 29th, 2016 by Nicole Mihalos and filed in Dea Digs, Gardening, Greenhouses, Travels
Comments Off on Take a Journey to a Historic Botanical Gem


Around this verdant globe, you will find numerous botanical gardens.

Many will have UNIQUE QUALITIES, and some will seem MAGNIFICENT or much like another in their creative and artful displays. But there is one that stands apart—a humble, but studious little gem nestled in the heart of the ANCIENT CITY OF PADUA, twenty-five miles to the west of Venice. So special is this botanical wonder, that it was named a UNESCO World Heritage site in 1997. It holds interest for the plant-lover, the historian, the medically curious, the architecturally or philosophically inclined, and the environmentally conscious.

The Orto botanico di Padova, or Botanical gardens of Padua, began life in 1545, making it the OLDEST CONTINUOUS BOTANICAL GARDENS in the world. Originally, it was created for the study of medicinal plants and has watched the science of botany blossom from that singular occupation to include all study of plants. The garden’s original design still gives it it’s unique look—encompassing a little sacred, symbolic geometry, which soon had to be ringed with a wall in 1552 to protect from early ‘drug’ thieves.


Through the centuries, there have been changes and phases. Various greenhouses have come and gone, but one will find small, utilitarian antique and vintage examples. There is an orchid hothouse amongst other older buildings.

But the garden has survived so long because it has also moved with times and knowledge, becoming not only a home of RESEARCH, but of SPECIES PRESERVATION. A large greenhouse using state-of-the-art green technology, mixed with old fashioned ingenuity, sits in modernist contrast to the early architecture. It makes for a fascinating journey from ancient to futuristic.

The UNESCO World Heritage Convention states,

For more than five centuries, the Botanical Garden of Padua has represented an exceptional testimony of scientific and cultural significance. Its position, size and main characteristics, as well as its main research and didactic features, have remained essentially unchanged over centuries with a constant adaptation to the most advanced discoveries in botanical and educational sciences.”


When visiting the old part of the gardens, one must imagine the likes of Padua University alumni like Nicolaus Copernicus and Galileo Galilei walking the cardinally-aligned paths on their way to lectures. Perhaps another alumnus, Giacomo Casanova stole a medicinal rose blossom (Rosa centifolia or gallica) to entice a feminine conquest. And the ‘Goethe Palm’, a dwarf fan palm (Chamaerops humilis) planted in 1585, (and beloved by its namesake) which has its own personally-constructed greenhouse, stands as a testament to mankind’s potential, and particularly, our very special and necessary relationship with plants. This is a garden to be viewed & appreciated with attention to its deep history and contributions to human knowledge.

Buon Viaggio!

By Dea Schofield

The Other Side of Frida Kahlo

Posted October 7th, 2015 by Nicole Mihalos and filed in Events, The Arts, Uncategorized
Comments Off on The Other Side of Frida Kahlo

What do CONSERVATORIES and FRIDA KAHLO have in common?

We’ll give you a hint.

Known for her self-portraits, realistic style, and signature thick eyebrows, Kahlo was viewed by thousands as an ICON of female creativity. But, there was another side to her that was often overlooked.

What was it?




Elements in several of her works express traditional Hispanic culture with a strong realistic and surrealistic style, but what we often don’t recognize is the other side to Kahlo’s inspiration – the NATURAL WORLD. Kahlo many times sought refuge in her garden, including imagery of foliage, flowers and animals from her garden to stress the close links between animals, humans and the natural land in her work. Her complex use of BOTANICAL IMAGERY celebrates the BEAUTY in plant life and ties to her cultural heritage.

Where’s the connection?


Historically, greenhouses and conservatories were ONE IN THE SAME. During the 19th century, the first conservatories were formerly built to grow plants! They were referred to as “orangeries” due to housing exotic citrus trees in the off-season, but along the way, they began to evolve. Advancing to the 1970’s, conservatories started to become better insulated and serve more as a living space for humans and less for plants.

Just as Frida admired the beauty and value of nature so much that she incorporated its elements in her paintings, we bring out the beauty and value of nature through designing and manufacturing conservatories.


In honor of Kahlo’s beautiful botanical works, the New York Botanical Garden’s Enid Haupt Conservatory is hosting a SIX-MONTH engaging CELEBRATION of Kahlo’s passion for the Natural World! JOIN US and learn about her love, life and artwork through interactive events, music, lectures and more!

Passionate About Conservatories

Posted February 27th, 2015 by Bonnie Hall and filed in Dea Digs, Gardening, Greenhouses, latest
Comments Off on Passionate About Conservatories

It’s no secret that everyone at Tanglewood is passionate about what we do – from our founders, Alan and Nancy to our craftsmen in the shop, to the team of architects and engineers, to even our Hospitality Ambassador (front desk!) – we truly live and breathe conservatories, greenhouses and all things glass. But one other observation struck us – many of our clients and contacts are also very passionate about various topics such as gardening, art collecting, community activism, activities that all go hand in hand with the work we do at Tanglewood. As a result of this observation, we thought it would be intriguing, insightful and certainly interesting for us to ‘dig’ a little deeper over the upcoming year and explore these passions that surround us.

Tanglewood Conservatories is very excited to announce our partnership with Dea Schofield – a noted horticulturist. She will be working with Tanglewood to help ensure that a Tanglewood greenhouse is not only a beautiful building, but also optimized for functionality and to also give tips on plant care, systems, etc. She will be featured as a guest blogger on Tanglewood’s blog under the keywords, Dea Digs.

Dea’s Bio


20130915 - jf photography - 8296-2After extensive training to become a Master Gardener, I went on to teach classes on indoor/tropical/potted/container plants for future Master Gardeners. As a mom to an elementary-schooler, I needed to be available and working part-time at a nursery made that possible. I soon found myself being offered a horticultural position at Green Spring Gardens Park, in Virginia. Through them, I was able to obtain more training, which included seminars and lectures by pre-eminent people, hosted specifically for Smithsonian horticulturists, botanists, and biologists. Training included regular travel for field trips and lectures at places like Longwood Gardens or Lewis Ginter Botanical Garden.  I then found myself at Hillwood Museum and Gardens as greenhouse and floral display manager, where I also cared for the orchids there for many months (a huge, separate task that I cherished). Eventually, I struck out on my own in order to do design work, solve horticultural problems, and create gardens for others. Today, I have clients who say they just want my presence in their garden occasionally to be sure things stay green and happy—which is the utmost compliment.


Passion Found
As a child, I couldn’t stand to be inside. I wanted to be out exploring, looking for plants and creatures. My first memories of a fascination for plants involved the sensory excitement they induced. Pussy Willows and Birch Catkins were irresistible to an outdoorsy little girl. I think the first plant to intrigue me on an intellectual level was the Stinging Nettle, Urtica dioica. Growing up in Germany, I discovered the plant was everywhere along roads and paths that were untended. From that early age, I knew there was something special about the herb. How could something that you could safely touch one way cause such discomfort when you touched it another? Why did it do that? Why were the fuzzy leaves sort of oily too? Why did people drink tea made of it? There was fun to be had with them too. I could get friends to shriek in horror by touching the tops of the leaves, knowing secretly that there were no trichomes, or stinging hairs, in that spot. Today, I know how to cultivate it and that the plant has been in medicinal service to humans for thousands of years. This kind of discovery is something I’m still crazy about.
It was also in Europe where I was exposed to the many variations on public gardens. From the manicured palace, castle and manor home gardens, to planted decoration of towns and cities, and individual homes and apartment windows, flowers were ubiquitous. For Europeans, the garden, both for food and enjoyment, was especially important. That rubbed off on me.  When we moved to Texas for a few years, I truly missed the color of Europe—but there were other things to discover, like Prickly Pear (with its edible fruit!) and Bluebonnets. It was there where I had my very first potted plant—a Purple Velvet Plant, or Gynura aurantiaca. At twelve or thirteen, I found the fuzzy, purple leaves irresistible, much like the pussy willows. Little did I know that the cute, diminutive plant would become a small monster, not unlike my plant passion (which grew to much greater proportions).

hibis collage

After years of travel and living abroad, I was finally able to have my first greenhouse here in the States. That morphed into a career that went from extremist hobbyist to Master Gardener to Expert Horticulturist. Today, I have the same fascination for plants as that little girl who couldn’t resist them!
Cultivating the Passion
One way I cultivated my passion for gardening was through education—constantly learning is not only essential to truly engaging in a passion, but I’m addicted to it as well! I love to learn about the art and science of plants and their cultivation. You might call me a plant fanatic. There are multiple facets to horticulture and I’ve tried to learn about and become experienced with them all. I’ve also have had my own collections for decades and have cultivated innumerable varieties and species. I also visit gardens, natural areas and botanical gardens wherever I travel (I’m especially attracted to places with greenhouses and conservatories).  It’s not hard to nurture something you love.

green  collage

A Passion’s Impact
You probably won’t find a greater impact than having a hobby become a career! But here’s a brief tale of how much my love of plants affects how I think. Five years ago, I decided to reduce my carbon footprint significantly. I donated, gave away, and sold-off most of my collection and greenhouse in the process. But there was no way I’d live without plants. I checked out places and none felt adequate (despite being lovely inside), until one day I stepped into an older condo that was south-facing with floor-to-ceiling windows and overlooked a tree-covered hill. It was just a simple, large studio—but it had a great balcony. Due to the perfect direction for growing and the huge, green view, I took it on the spot. Today, I grow herbs, orchids and other tropicals—and my favorite, Passion Flowers. The vines love to cover the balcony railings by summer’s end. Then everyone but the hardy herbs comes in for winter. I chose my living space based on the needs of plants!

Top Secret Revealed
As a master horticulturist, the best advice I can give is to LISTEN. Listen to what your plants are saying and that will enable you to nurture them and meet their needs. For example, I walked into a very hot and humid greenhouse one day with my client and many of the plants had lost their turgidity and ‘looked’ to be wilted. My clients first response was to set the sprinklers off and water all these ‘wilted’ plants. I was able to show my client that the plant’s wilted structure was not from lack of water (a quick finger check in the soil, which was moist) but from the high heat and humidity. As soon as those variables returned to a more normal range for the plant, the turgidity would also rectify. Below is a picture of a Rose of Sharon – while the normal observer would see the flower and bee, a good ‘listener’ would also notice the plant has leaf scorch. The leaf scorch could be because it’s in too dry of a location, or because an A/C unit blew on it, or both.

rose of sharon

To ask Dea a question or to find out more about building your own Tanglewood Conservatory, click here to email us. If you would like to follow Dea on social media, click on her facebook.

The Art of Design

Posted January 9th, 2015 by Bonnie Hall and filed in Conservatory Projects, General, Insights, latest
Comments Off on The Art of Design

Remember career day back in high school?  Guidance counselors and local business people all gathered in the auditorium talking about career choices and pathways.  Then there was always that one counselor that was the dreamer and spoke of finding your passion and everything else would fall into place.  Back then it all sounded so nebulous – how can a teenager know their life’s passion?

With that high school day forgotten many decades in the past and fast forward to working at TWC for several months now, I have had heard numerous times that it is the design element that Tanglewood brings to a project that sets us apart from others in our arena.  It is easy to prattle off the obvious reasons:

  • TWC has a full suite of architects, engineers and designers
  • We pride ourselves on our collaborative nature and working well with the homeowners’ team of architects and designers
  • We bring a historical perspective based on Tanglewood’s extensive travels, books and lectures series

Wanting to get a more in-depth understanding – I asked Alan his thoughts.  His response quickly brought me back to high school…

’We are architects and artists, not accountants and lawyers.
We create art and that just happens to fuel our business.
We do not compromise or concede to any business strategy that stifles our artistry.
Making money is a byproduct of our passion, the actual building process is the business that supports our artistic endeavors.’

Designing conservatories and greenhouses isn’t just the starting point of the process to get to a completed structure.  It is an artist creating a work of art that ultimately will become part of someone’s art collection.   Designing conservatories is the passion that ignites Tanglewood and it is that passion that then builds these stunning structures.  As Alan states, ‘If we were to just design a building, there is no art, no passion.’   Tanglewood is in business to create art.   Our conception was the result of stumbling upon a passion:  historic conservatories & creative design.   Many marketing manuals have been written extolling the practice of determining your value proposition.   At Tanglewood, it is simple.  We create art – that takes the form of conservatories.  That is our passion.

Turns out your guidance counselors were right on career day – find your passion, make it your job and the ‘business’ of it will follow.

Tanglewood Hand Drawing and finished project

Why Tanglewood?

Posted October 15th, 2014 by Bonnie Hall and filed in General
Comments Off on Why Tanglewood?

There is a lot of new buzz regarding conservatories, greenhouses, etc. Green living, a focus on slowing down and getting back to nature has certainly had a hand in the resurgence. With the economy rebounding and a positive outlook for the future, many are looking at enhancing their home with a conservatory. A conservatory or greenhouse can be a substantial investment and taking the time to do the proper due diligence before selecting a manufacturer will be time well spent! With several companies that sell conservatories made in England going out of business in the last few years and their US customers losing deposits and warranties, making a wise choice is even more important.

conservatory Some other items to check while performing your due diligence:

 Number of years in business
Tanglewood Conservatories has been designing and creating conservatories for over 20 years. TWC has a full suite of architects, engineers, designers, craftsmen and support staff. We are looking forward to the next twenty-plus years of business!
Design and manufacture in the US
TWC’s team of in-house architects and engineers will lead you from vision & design to building & installation. Tanglewood manufactures each project in-house and then ships your project and a team of craftsmen to assemble on your property. Some companies are distributorships that maintain a catalog of pre-designed models that are shipped in from Europe or if they are built in-house, they do not install.
Works with your entire team
Tanglewood works seamlessly with your team of architects, designers and builder to ensure your vision is fully realized.
Unlimited options
TWC works with you to translate your vision to reality. We aren’t working from a catalog but from a fresh sheet of paper with limitless possibilities.
Artistically motivated
TWC lives and breathes conservatories. Alan Stein, founder of Tanglewood Conservatories has devoted the last twenty years to design, construction and research. He is an accomplished architect, lecturer and author of a soon to be released book focusing on the history of conservatories.
Each Tanglewood conservatory begins with a phone call from you and a conversation about your home. We believe great architecture begins with your ideas, feelings, and needs—not ours. We learn about who you are and listen to what you say. We can work side by side with your architect if you already have one. Then we use our creativity and architectural skill to create a custom conservatory design that reflects the things that are important to you. We don’t offer standardized “models,” “sizes,” or “architectural details”—we won’t try to squeeze your needs into a preconceived box. Instead, your conservatory starts with a clean sheet of paper, fresh ideas, world-class design, and you.
We’ve worked with many architects who want to design their client’s conservatory but recognize the challenges and artistry specific to our craft. They often produce a conservatory design, then look to Tanglewood to develop and refine their concept and work out the building details for a properly constructed conservatory. Architect Bob Scialla, in Morristown, New Jersey, had clients he’d worked with before who now wanted a large conservatory design added to their family room. According to Scialla, “The clients had ideas about what they wanted in the conservatory, but did not have a specific design in mind.” So Scialla and his team developed a conceptual plan for the project and then contacted Tanglewood. “We brought Tanglewood in because conservatories are highly specialized and highly technical structures. Building them right requires a unique set of skills, and we wouldn’t take it upon ourselves to develop details and tackle the engineering on a project as specialized as a conservatory. Sometimes, architects want to reinvent the wheel, but why reinvent the wheel when Tanglewood has already perfected it?” Working in close partnership with Scialla, Tanglewood turned his concept into a conservatory design that was both elegant and could be well executed. “They made suggestions and recommendations for all the details-glass types, waterproofing, the windows and vents. They engineered the structure and made a difficult design buildable,” said Scialla. “Tanglewood took our concept and brought it to fruition. Then they fabricated it, shipped it up to us and installed it at our client’s home,” he explained. “Our relationship with Tanglewood was very, very good. They are consummate professionals. We’d call them again in a minute; in fact, we have, for another project that’s in development now.”
The process is interactive and collaborative. We take great pride in our ability to listen to others’ ideas and turn them into conservations about what is possible. Our clients are often surprised and delighted to learn they have many more choices than they originally thought. Our greatest satisfaction is designing and building a customer conservatory that is beautiful, functional, and uniquely yours.

Conserving a Tradition

Posted September 26th, 2014 by Bonnie Hall and filed in Uncategorized
Comments Off on Conserving a Tradition
Tanglewood Consrvatories
Nancy Virts and Alan Stein are the visionaries behind the success of Tanglewood Conservatories. Their work has served as an integral aspect in the return of the conservatory to prominence.

Some would consider it a lost art.  Others simply a “greenhouse.”  Alan Stein and Nancy Virts consider it their privilege to enhance, educate and expand the boundaries of an ancient architectural marvel.  The co-founders of Tanglewood Conservatories share a vision and a passion to design and build a combination of the romanticism of 19th century glass architecture with state-of-the-art technology and master craftsmanship.

“Conservatories have a rich history dating back to the days when wealthy families of Victorian Europe would travel the world and bring back varieties of plants and trees,” Stein said.    “They needed warm climates to survive the colder months, so the idea of a glass-enclosed conservatory was developed.  Europe is where you’ll find the majority of conservatories today, either renovations of existing glasshouses or construction of new conservatories.  I’ve found that conservatories are to England what screen porches and decks are here in the U.S.”

One of only a handful of American-based conservatory builders, Tanglewood has doubled in size over the last several years.  Thirty employees produce 20 to 25 conservatories each year using only top-grade materials.  The conservatories are pre-built at Tanglewood’s 40,000-square-foot workshop in Denton, MD, disassembled and shipped to the customer for installation by the same Tanglewood craftsmen.  Design to completion typically takes 6 to 9 months.

“Our clients initially create their conservatories for a specific purpose, as a swimming pool room or a music room, for example,” Stein said.  “But it quickly becomes the room in the house where they spend most of their rime, and more of our clients are incorporating plants and gardens into their spaces, sort of a return to the origin of the conservatory.”

Tanglewood Conservatories
Elegant and architecturally stunning, Tanglewood Conservatories offer homeowners the opportunity to escape to a one-of-a-kind sanctuary created just for them.

Established in the 1990’s, Tanglewood Conservatories is already recognized around the world as one of the most architecturally advanced and detail-oriented conservatory builders in the business.  “Our design flexibility and collaborative attitude won us many terrific projects,” said Stein, who also serves as Tanglewood Conservatories’ President and Director of Architecture.  “Most builders have very specific requirements and we are able to help them achieve the architectural look they wanted by marrying our technology with their building techniques and materials.”

“A great conservatory design begins with the client,” Stein said.  “We listen to their desires, ideas, feelings and needs.  While working together, the client begins to see their dreams become reality as the architectural process unfolds and the conservatory becomes uniquely theirs.  It is a wonderful feeling to have the opportunity to and work in some of these places, especially when the clients really do let us into their world to allow us to do a really great job.”

“People who especially come to us and want to be involved see something truly special.  These homeowners are just beaming.”

Tanglewood Conservatory
Because no two Tanglewood Conservatories are alike, clients of Alan and Nancy are ensured a unique design when the finished product arrives for installation. This constant creativity, according to its owners is a main reason why the company has doubled in size in five years.

Tanglewood Conservatories has completed projects all across the US and many international ones as well.  The installation is not outsourced, but is generally performed by the same craftsmen that built the project in-house.  Many years ago when a client wanted a copper roof, Tanglewood became coppersmiths; when standard doors and windows were not quite to Tanglewood’s exacting measures, they decided to make their own doors and windows to meld seamlessly with the design of the conservatory; when unhappy with the quality of glass in the marketplace, Tanglewood set up their own glass shop.  This level of dedication and unrelenting quest for excellence extends from the craftsmen in the workshop to the front office.

Alan and Nancy have recently embarked on a new venture focused on ‘conserving’ and documenting great conservatories in an upcoming book that Alan has written dedicated to these architectural wonders.  Just returning from a whirlwind trip to Europe, they photographed their way from Vienna and Lednice, to Stuttgart and Paris with many stops in between. Several more photography tours are planned for the future.   The book will be a very upscale, art-full treatment of the history and development of the conservatory with strong emphasis on the lifestyle and modern relevance perspective. It will be full of beautiful photographs and descriptions of key examples. The book will be available worldwide and is targeted to both consumers and design professionals. It is currently slated for release in March of 2016.

Tanglewood Conservatories
Photos of great European Conservatories from a recent photography trip

Yet another unique feature within Tanglewood, which goes hand-in-hand with the upcoming book, is a customized lecture series that Alan has developed focusing on the great conservatories of the 19th Century and the architectural stories behind them.  One popular story from the lecture is how a giant Amazonian lily influenced the early glasshouse construction techniques.


If acceptance of their work in the marketplace is any indication, demand for Tanglewood’s conservatories may force the company to expand again soon.  “As our creativity and experience in glass architecture grew, our conservatory design projects generated more interest,” Stein said.  “We live on the quality of our work and the high level of customer care we provide.  For our talented craftspeople, these are dream projects destined for some of the world’s most beautiful homes.  We seem to keep growing.  People love what we are able to do.”


Portions of this article courtesy of:
Jon Westman
Coastal Style